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    Home»Dancing News»6 Trends Competition Judges Are Tired of Seeing in Routines
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    6 Trends Competition Judges Are Tired of Seeing in Routines

    Dance-On-AirBy Dance-On-AirJune 6, 2025No Comments4 Mins Read
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    Competitors dance tendencies change into widespread for a purpose, however even essentially the most thrilling fads finally run their course. 4 competitors judges focus on the dance tendencies they imagine it’s time to depart behind, and provide options on easy methods to refocus routines on readability, security, and particular person artistry.

    Nonstop Gymnastics

    Whereas a well-executed tumbling or gymnastic component can add pleasure to a routine, in accordance with 24 Seven Dance Conference choose Madi Hicks, choreography generally overindulges in them. “The dance neighborhood is trending within the path of rhythmic gymnastics,” she says. “I like and respect rhythmic gymnastics, nevertheless it’s its personal sport.” The less gymnastic components there are in a chunk, the extra affect each can have.

    Methods That Disrupt the Circulate

    In faucet routines, Radix Dance Conference choose Kelsey McCowan has seen an overuse of flashy steps “which might be properly executed, however there are such a lot of of them that there’s an enormous lack of phrasing and musicality,” she says. Matthew Wealthy, a choose for Highlight Dance Cup, is equally involved about spectacular however tossed-off steps that disrupt a routine’s motion high quality and phrasing. “Don’t simply cease, drop the whole lot, do one thing demonstrative, after which proceed dancing,” he advises. “Discover continuity. Make it musical, so the entire image matches up visually and audibly.”

    Kelsey McCowan. Courtesy McCowan.

    Harmful Transitions

    The 2010s known as, they usually need their knee slams again. “There was a resurgence of high-impact transitions to the ground, which might negatively have an effect on the well being and wellness of dancers,” says New York Metropolis Dance Alliance choose Grace Buckley. “Something that feels deliberately harmful, like dropping straight right down to your knees or operating and touchdown on one bent knee whereas the opposite leg is out in à la seconde, works in opposition to your longevity as a dancer.” A dramatic drop to the ground isn’t a nasty factor—simply discover methods to do it that don’t stress the joints.

    A female teacher standing between two lines of dancers on stage at NYCDA
    Grace Buckley. Photograph by Evolve Photograph, Courtesy NYCDA.

    Excessive Flexibility

    Whereas many younger dancers are naturally hypermobile, Hicks is anxious that present competitors dance tendencies are pushing issues too far. She warns that one significantly regarding development is spinal hyper-flexion throughout headstands. “I’m actually nervous about their spines,” she says. “Chances are you’ll assume it’s spectacular, however each single choose feels scared after they watch it occur.” As an alternative, showcase well-supported flexibility that doesn’t overtax the backbone or the hips.

    Swayed Backs

    Attend most any competitors this yr and also you’re positive to see dancers with deliberately swayed backs. “It appears to be the most recent development, which makes me very nervous,” McCowan says. Hicks agrees. “It’s a problematic fad on social media that has trickled down into studios,” she says. “It’s not serving to their rating, and may solely damage their hips and backs down the road.” Hicks recommends dancers take trendy courses to grasp the top–tail connection of the backbone and that each one motion comes from the again. “It adjustments the whole lot,” she says.

    Small, Intricate Actions

    For years now, tiny, advanced actions which might be near the physique have been throughout aggressive routines. Whereas they give the impression of being nice on sturdy fast-twitch movers, that’s not each dancer’s reward—which suggests the development ceaselessly finally ends up wanting messy and superficial, like “lots of white noise,” Wealthy says.

    “I usually see the identical actions come up in a number of solos and items all through the competitors weekend, and as somebody who prides himself in figuring out that each one ability units are distinctive, I discover it problematic,” he says. As an alternative, Wealthy desires to see who every dancer actually is: “Present me your greatest work—what you’re feeling most assured in; what you’re feeling you may have that different dancers don’t have. No matter tendencies, I would like you to deliver your self into the combination, to make every step much more spectacular.”

    A dancer wearing dark clothes contorting their body as they pose against a white backdrop
    Matthew Wealthy. Photograph by BAKi, Courtesy Wealthy.



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