American funeral doom emissaries Evoken return this fall with their long-awaited seventh full-length, Mendacium. Set for launch on October 17 by way of Profound Lore Data, the album follows 2018’s Hypnagogia and guarantees to be one of many darkest, most oppressive works within the band’s historical past.
The place Hypnagogia leaned right into a extra melancholic and accessible sonic palette, Mendacium shifts again towards the monumental, dirge-like dread of Quietus and Antithesis Of Mild. Followers can even count on the tectonic heaviness of Caress Of The Void and Atra Mors, alongside new gothic textures and experimental passages paying homage to Lifeless Can Dance, Monumentum, and Disembowelment.
The band reunited with producer Ron “Bumblefoot” Thal, who beforehand labored with them on Quietus and Antithesis Of Mild. Collectively they’ve carved out a sound steeped in sepulchral atmosphere — a suffocating environment that displays the catacombs of an historic cathedral.
Lyrically and thematically, Mendacium tells the story of a fourteenth-century Benedictine monk ravaged by sickness, trapped inside his monastery cell, and spiraling into anguish. As his religion wavers, he encounters a grotesque entity rising from a tear in actuality. However the central query lingers: is he really affected by this being, or are the horrors nothing greater than the delirium of his personal thoughts?
To sign its arrival, Evoken have unveiled the primary single, “Matins”, described by the band as “a peek right into a actuality.” The observe encapsulates the suffocating dread and cathedral-like atmosphere that defines the document, serving as a glimpse into the complete descent awaiting listeners.
Mendacium could very nicely stand as Evoken‘s strongest and devastating album so far — a return to their roots that also pushes ahead into uncharted darkness. Pre-orders for Mendacium are available here.
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