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    Home»Dancing News»A Strike Threat, Scaffolding, and Last-Minute Changes: What It Was Like Dancing in the Olympic Opening Ceremony
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    A Strike Threat, Scaffolding, and Last-Minute Changes: What It Was Like Dancing in the Olympic Opening Ceremony

    Dance-On-AirBy Dance-On-AirJune 10, 2025No Comments3 Mins Read
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    Ballet de Lorraine’s Tristan Ihne has been dancing professionally for almost 20 years. However on July 26, he gave a efficiency not like any he’d completed earlier than: Together with about 200 different dancers, he danced atop a golden platform stuffed with water subsequent to the Seine river in an 8-minute piece by Maud Le Pladec, as a part of the Olympic Opening Ceremony in Paris.

    “One of the best half for me was to really feel the vitality of the group,” he says. “Right here we have been along with generations combined and coaching kinds combined. It was superb.” He’d by no means taken half in such a big efficiency, or danced for such an enormous international viewers. “There’s nothing to match it to,” he says.

    That group vitality led not solely to a memorable spectacle but in addition to a distinct type of French custom: the specter of a strike, filed by the French performing artists’ union SFA-CGT. When the dancers started rehearsing collectively a number of days earlier than the ceremony, they realized the quantity they have been being paid for broadcast rights assorted extensively—from 60 to 1,600 euros. The protesting dancers additionally needed touring and housing bills paid for. “The collective settlement specifies that when you rent somebody coming from greater than 40 kilometers away, they need to get their bills coated,” says Ihne, who participated within the protests. Ultimately, occasion organizers met a few of the calls for, and the dancers dropped their menace to strike.

    Dancer Magali Brito—a performer with aerial dance troupe Compagnie Retouramont, which carried out throughout the ceremony on the scaffolding of the Notre Dame Cathedral and with the heavy-metal band Gojira in beheaded Marie Antoinette costumes—says that whereas she feels for the dancers, their increase appeared comparatively minor in comparison with greater points surrounding the Video games. “I’d have favored to have a strike concerning the rights of lots of people in Paris that have been fully distorted,” she says, highlighting the 1000’s with out everlasting housing who have been sent out of Paris forward of the Video games.

    DANCER MAGALI BRITO IN HER MARIE ANTOINETTE HAIR AND MAKEUP. PHOTO COURTESY BRITO.

    Nonetheless, she was completely happy to participate within the ceremony—even when not every thing went precisely to plan. As an example, Brito says she and the opposite dancers of Retouramont have been purported to be suspended alongside the partitions of the constructing throughout the Gojira live performance. “However after safety issues, they didn’t authorize us to be hanging on the partitions, so we simply did some poses within the home windows with costumes,” she says.

    There was additionally the notorious rain throughout the ceremony, which precipitated main issues particularly for dancers of the Moulin Rouge, who have been acting on a slick floor proper on the fringe of the river. “For us, it was okay as a result of we have been going to carry out within the water anyway,” Ihne says. “However for different dancers, it made it harder—I give them much more credit score.”

    Brito says that for her and most of the dancers, any further challenges have been value it to participate in a ceremony that made such an announcement. “Politically, it was fairly necessary to have the ability to take part on this occasion,” she says. “In France, we simply had new elections, and it felt good to have the ability to participate in one thing displaying folks of each colour, each physique kind, and each gender.”



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