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    Home»Music News»BLACK SABBATH’s Final Show Estimated To Have Raised $45.5 Million
    Music News

    BLACK SABBATH’s Final Show Estimated To Have Raised $45.5 Million

    Dance-On-AirBy Dance-On-AirAugust 20, 20251 Comment4 Mins Read
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    In response to a brand new report from BBC News, Black Sabbath‘s farewell live performance, Again To The Starting, generated a complete of £33.8 million (roughly $45.5 million). The figures, compiled by researchers on the College of Birmingham, present that £27.6 million (about $37 million) of that complete was retained inside the West Midlands area, immediately benefiting Birmingham and its surrounding boroughs.

    Dr. Matt Lyons, who performed the evaluation, defined the motivation behind the research: “As regional economists from the College of Birmingham, we thought we might do our bit to honor Ozzy‘s legacy by estimating the financial impression of his final gig. The impression of the Prince Of Darkness clearly goes far past the monetary impression his gigs and TV reveals have netted. Ozzy is a worldwide legend, and his reward of unimaginable music, and now his remaining financial impression, will go on to profit his house metropolis far into the longer term.”

    Held at Villa Park in Birmingham, the July live performance drew 42,000 ticket consumers, with roughly 20 % touring from exterior the UK. Ticket costs ranged from £197.50 to £834, reflecting the magnitude of the once-in-a-lifetime occasion. The farewell was not only a celebration of the legacy of Black Sabbath but in addition a gathering of the broader heavy music group, with performances from Metallica, Slayer, Pantera, Weapons N’ Roses, and Instrument, alongside a solo look from Ozzy himself.

    Regardless of the College’s figures, confusion has surrounded the true monetary scope of the occasion. Preliminary stories instructed staggering sums, with Billboard and The Guardian estimating practically $190 million raised and a pay-per-view viewers of practically six million, producing roughly $150 million in streaming income. Rumors even circulated that this quantity could be donated to charities together with Birmingham Youngsters’s Hospital, Acorn Youngsters’s Hospice, and Remedy Parkinson’s.

    Nonetheless, Sharon Osbourne moved rapidly to mood these claims. In a July 17 interview with Pollstar, simply 5 days earlier than Ozzy‘s dying, she dismissed such figures as “ridiculous.” “One of many issues that is scary me is all this false press about [how], we have made $140 million and all of this, and I am like, God, I want we might have, for one gig,” she stated. “It is simply ridiculous, the completely different tales. I went on the web the following morning and it was like, $140 million, $160 million. And I am like, the place does these items come from?”

    Sharon clarified that it will take weeks to find out the precise charitable totals, given bills for performers and manufacturing. She added, “It is the Youngsters’s Hospital, a youngsters’s hospice, and Parkinson’s analysis. Everyone thinks that they are going to treatment all the pieces with this a lot cash, however it’s not the actual world.”

    Whatever the numbers, Sharon described the evening as a landmark second: “It was an outstanding occasion. It was the primary time, I feel, that anyone’s gone into retirement and completed it, the place the present is streamed and it goes to charity. So it is the primary time anyone has stated goodnight like that. It is the right manner, once you’ve had such a protracted profession, to finish it. I by no means wished Ozzy to simply disappear with out some large occasion.”

    Billboard later reported that past the headline figures, the farewell additionally impressed further charity initiatives. Every of the designated organizations raised tens of hundreds of kilos by raffles, auctions of art work and images donated by Sabbath, and direct fan contributions throughout the livestream.

    Whereas the monetary legacy of Again To The Starting continues to be clarified, what stays sure is its cultural weight. The present represented not solely a remaining bow for one in all heavy steel’s defining figures but in addition a historic second for Birmingham – a metropolis without end tied to the music that Ozzy and Black Sabbath gave to the world.

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