Producer and DJ Fede Spamer continues to carve out a sound formed by a broad tapestry of influences, all whereas pushing ahead to disclose one thing genuine and authentic. Based mostly in Buenos Aires however formed by a world upbringing, his musical identification has grown out of a life immersed in various cultures, genres, and emotional textures – culminating in a mode that honours his wealthy roots whereas reflecting a forward-facing artistic imaginative and prescient.
We caught up with Fede to dig into the early inspirations that formed his style, the artists and genres that proceed to information his evolution, and the ever-shifting stability between affect and individuality.
Hello Fede! How’s it going at present?
Hey! I’m doing nice, thanks for asking. How about you?
Let’s begin together with your early influences – what sort of music have been you surrounded by rising up, and what affect did which have in your musical style?
Rising up, I used to be surrounded by many alternative sorts of music. My dad and mom by no means labored within the business, however they’ve at all times had an informal connection to music. My dad sang in a choir when he was younger and performed the guitar. My mother took piano and faucet dance classes as a toddler, and in a while, she principally simply loved listening. She has a deep love for orchestral music and would typically take me to stay performances, which turned a particular a part of our routine collectively.
There was at all times music enjoying at residence, from symphonic items to extra mainstream pop. Even now, I nonetheless go to stay performances with my mother on the Teatro Colón in Buenos Aires.
As a toddler, I additionally keep in mind listening to artists like ABBA, Elvis Presley, Cher, Madonna, Argentine folks, and native names like Diego Torres. That helped me really feel extra linked to Argentine tradition. I used to be born in Belgium and grew up between Switzerland, Japan, and Argentina earlier than settling again right here at 18. With all of the transferring round, music turned my fixed — a option to keep grounded by means of change.
Round age 12, I began stepping into Electropop and mainstream EDM. However every thing shifted once I found club-oriented Digital Music – opening up an entire new world that fully modified the best way I linked with sound.
You come from a robust Classical Music background. May you share how this has formed your ear for melody and construction?
Sure, of course! Classical coaching teaches you to understand melody and construction on a really detailed degree – the best way themes develop, how stress and launch are balanced, and the way completely different voices work together inside a composition.
Having performed Classical piano items by composers like Mozart, Chopin, Beethoven, and Bach, I developed a robust sensitivity to melodic phrasing and harmonic development.
When producing Digital Music, I typically apply classical ideas like construction, motif improvement, and stress and launch – including emotional depth to a style that tends to lean extra towards rhythm and texture.
Are you able to recall the primary Digital Music artist or monitor that basically shifted your notion of what music could possibly be?
Once I first acquired into club-oriented Digital Music, I used to be principally listening to Tech House, and I beloved it. However sooner or later, a buddy invited me to see Eric Prydz stay. I wasn’t very aware of his music, so he despatched me “Opus” to take a look at beforehand, and that monitor fully modified every thing for me. The best way his music unfolded and transported me to a totally completely different world – so removed from what I used to be used to – shifted my whole notion of what Digital Music could possibly be.
It opened my thoughts to new sonic potentialities and helped me realise I wished to create immersive, emotional experiences by means of sound.
How did your style in Digital Music evolve over time – have been there key artists, kinds, or scenes that opened new doorways creatively?
As I discussed earlier, Eric Prydz actually modified how I understood DJ units. Earlier than that, I believed artists principally blended their very own tracks with others’, and I related solo performances with stay units – like these by Monolink or Juan Hansen.
That second led me to Melodic Techno. A key monitor that pulled me in was ‘Pantheon’ by Goom Gum and Argy. It launched me to the Afterlife sound, which resonated deeply – particularly the best way it attracts from Classical Music.
What conjures up me now could be how extra underground sounds – like these in Melodic Home or Techno – are beginning to seem in radio-friendly tracks.
I strive to not be grounded in a single scene. I join with completely different communities and aesthetics, aiming to make music that feels approachable and emotionally participating, whereas nonetheless carrying the depth and texture of the underground.
Currently, I’ve been actually into Indie Dance and artists like Max Styler.
Are there producers at present who proceed to affect your strategy to sound design, association, or environment?
There are such a lot of – it’s exhausting to call all of them.
However to offer just a few examples:
I not too long ago watched Monolink’s newest efficiency for Cercle in Paris, and there was one thing about how immersed he was within the second that basically stayed with me.
KREAM always conjures up me in relation to sound design – their textures and general manufacturing high quality are unbelievable.
I additionally actually admire Max Styler, Meduza, James Hype, Anyma, Adam Beyer, Innellea, 8Kays, TH;EN, Rebūke, Disfreq, Boris Brejcha, Argy, Alok, Eric Prydz, and Mau P, to call just a few.
Exterior of Digital Music, are there any genres or artists you draw inspiration from?
Positively. What I really like most about Digital Music is its artistic freedom, and I’m particularly drawn to artists and genres that supply greater than surface-level enchantment.
I’ve at all times had broad tastes – rising up on every thing from the Black Eyed Peas and Arcade Fireplace to Gorillaz, Radiohead, CHVRCHES, Alan Walker, and Empire of the Sun. Woman Gaga’s ‘ARTPOP’ stood out for its sound design and conceptual ambition, whereas Madonna’s ‘Confessions on a Dance Ground’ is a favorite for the best way it blends dance, pop, and emotional storytelling.
I additionally draw inspiration from Argentine artists like Miranda! and Babasónicos and indie/digital acts like L’Impératrice, Sizzling Chip, and Metronomy.
Truthfully, I’ve taken inspiration from so many locations – every artist and sound has added one thing to how I strategy music at present.
Past the music itself, are there any artists you admire for the way they deal with the business facet of their careers – whether or not that’s connecting with their viewers on social media, their artistic independence, or constructing a long-term imaginative and prescient?
I actually admire Anyma for the way he’s at all times reimagining his artwork and discovering new methods to precise himself, which feels very recent and genuine.
James Hype is one other massive inspiration for me – his power and the best way he connects with the gang are unbelievable.
I additionally actually respect Peggy Gou. I really like how she shares components of her private life alongside her music career, which helps her construct a real connection along with her viewers. She’s at all times making an attempt new issues, pushing boundaries, and that openness resonates loads with individuals.
For you, the place does the stability lie between drawing inspiration out of your influences and creating one thing that feels uniquely yours – one thing that defines the Fede Spamer sound?
For me, discovering the stability between drawing inspiration and creating one thing uniquely mine is an ongoing journey. I deeply respect and be taught from the artists and genres which have formed my musical style, however on the similar time, I’m at all times pushing myself to reinterpret these influences by means of my very own lens.
What defines the Fede Spamer sound isn’t simply the sum of my inspirations – it’s how I mix them, filter them by means of my experiences, and categorical my very own feelings and concepts.
Lastly, is there a monitor you at all times return to when you want to reconnect together with your artistic headspace? One thing that resets or recharges your focus?
I believe “Breathe” by CamelPhat, Cristoph, and Jem Cooke is that monitor for me. It blends every thing I really like about Digital Music – emotion, groove, environment – it’s highly effective but additionally deeply introspective. Each time I hearken to it, it grounds me creatively and jogs my memory why I fell in love with this sound within the first place.
From our dialog, it’s clear that Fede Spamer’s journey continues to be formed by curiosity, vary, and inventive intent: a fusion of previous and current influences distilled into one thing private and frequently evolving. As he continues to refine his sound, his focus stays on progress, originality, and pushing boundaries; showing as an Artist in movement, he is one to remain linked with, following him throughout social media to maintain up with what’s coming subsequent.
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