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    Home»Classical Music»Opera Atelier Opens Its 40th Season With Groundbreaking Period Production Of The Magic Flute
    Classical Music

    Opera Atelier Opens Its 40th Season With Groundbreaking Period Production Of The Magic Flute

    Dance-On-AirBy Dance-On-AirOctober 11, 20256 Comments5 Mins Read
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    The solid of Opera Atelier’s The Magic Flute (Photograph: Bruce Zinger)

    Celebrating its fortieth season, Opera Atelier will current Mozart’s The Magic Flute for 4 performances October 15 – 19 at Toronto’s Elgin Theatre.

    The Magic Flute

    In keeping with Operabase and Bachtrack, Mozart’s The Magic Flute is the second most carried out opera worldwide. Premiered in 1791, this timeless basic was Mozart’s last opera and his most well-known to be composed in German, within the model of Singspiel, which mixes spoken dialogue with music.

    Opera Atelier

    Based in 1985 by Marshall Pynkoski and Jeannette Lajeunesse Zingg, Opera Atelier focuses on staging works from the seventeenth and 18th centuries utilizing interval devices, costumes, and choreography.

    Their productions are celebrated for combining scholarly authenticity with theatrical aptitude, usually incorporating Baroque dance into their stagings.

    Ludwig Van spoke to Director Marshall Pynkoski about this upcoming manufacturing.

    The Manufacturing

    The Magic Flute has a vital place in Opera Atelier’s historical past. Its manufacturing is North America’s first and solely interval manufacturing of the opera, and is sung in English with Andrew Porter’s translation. Marshall says that when OA carried out it for the primary time in 1991, “it was a cutting-edge manufacturing. It redefined what interval music may imply. It acquired unbelievable evaluations and response, and it traveled throughout Canada and all through the US. It grew to become an actual takeoff level for us.”

    This manufacturing options a number of dancing, which was the norm in 18th century operas, though different modern-day productions have largely reduce them out because of the expense of hiring dancers.

    “Within the 18th century, there have been ballets that had been filled with singing, and operas that had been filled with dancing. The artwork types weren’t mutually unique. And that’s one thing that we actually like to emphasise. The opera of the 18th century is sort of a Broadway musical.”

    The OA manufacturing could have dazzling particular results, like a dragon and a flying gondola. “The Queen of the Evening has a wide ranging entrance through which the complete sky modifications form, the moon and stars seem, then she flies into the centre of the moon,” says Marshall.

    Not solely will the world-renowned Tafelmusik Baroque Orchestra present the accompaniment on interval devices, members of the Nathaniel Dett Chorale can be on stage for the primary time because the refrain.

    The Forged

    The lead position of Prince Tamino can be sung by Tenor Colin Ainsworth, who has been in quite a few OA productions.

    “He’s our tenor of alternative for this kind of position. He appears ageless, each in his appears to be like and his voice. He’s additionally an ideal comic.”

    Marshall is particularly thrilled to convey Soprano Rainelle Krause to OA for her signature position of The Queen of the Evening. Rainelle has sung this award-winning position with many famend opera homes, and after making her Queen debut at OA, she can be debuting it at Santa Fe and The Metropolitan Opera later this season.

    Marshall is equally excited concerning the three singers who’re performing Magic Flute for the primary time: Soprano Meghan Lindsay as Pamino, tenor Blaise Rantoanina as Monostatos, and bass-baritone Douglas Williams because the lovable Papageno.

    “It’s at all times thrilling when a singer is singing their position for the primary time. They’re creating their position. There’s a actual edge and electrical energy about it.”

    Remaining Ideas

    Marshall desires to emphasise that OA’s Magic Flute is accessible to everybody, younger and previous. He notes that in Mozart’s time, going to the opera was a way more relaxed affair.

    “The actors interacted with the viewers, and they might play encores if the viewers applauded sufficient.” That is the sort of ambiance the viewers would discover on this OA manufacturing.

    OA’s Magic Flute additionally displays the variety of our metropolis. “Now we have a unbelievable ethnic and racial combine on stage. We didn’t solid these individuals with that in thoughts, it simply occurred to be an exquisite coincidence. And I believe that’s what we need to see, that Toronto opera appears to be like just like the streets of Toronto,” says Marshall.

    “Magic Flute is ‘the nutcracker of the opera world.’ It’s sung in English, has fantastic music and tunes that you just’ll bear in mind after you allow. This is a chance for individuals to demystify what opera is. I believe that is the opera for individuals who assume they don’t like opera. And it’s the right introduction for individuals who have by no means been to an opera.”

    • Opera Atelier presents Mozart’s The Magic Flute October 15, 16, 18, 19, 2025 on the Elgin Theatre in Toronto. Discover tickets and extra info [HERE].

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    Denise Lai

    Denise Lai is a Physiotherapist and School Professor. She is an alumnus of the Toronto Mendelssohn Choir and a rusty piano participant.

    Denise Lai
    Newest posts by Denise Lai (see all)



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