The star of Pitchfork’s fourth and last zine of the yr is Dijon. Few artists had a extra impactful 2025 than the Los Angeles singer-songwriter, who not solely launched his critically acclaimed sophomore album, Baby, but in addition toured North America, had key options on Justin Bieber’s Swag and Bon Iver’s SABLE, fABLE, and made his appearing debut in Paul Thomas Anderson’s One Battle After One other.
In our cowl story, which is accompanied by images from Julian Klincewicz, contributor Paul A. Thompson speaks to Dijon a few whirlwind 12 months, going from cult act to one of the compelling voices in fashionable music. As Thompson writes, “Dijon is the rarest form of fashionable artist: one dedicated to pushing formal boundaries in a means that makes him and his viewers sincerely uncomfortable however who appears to get extra well-known the much less he compromises.”
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