Metallic Injection has topped Revocation as its Artist of the Month for September 2025, a becoming honor because the Boston-born excessive metallic stalwarts gear as much as launch their most bold and apocalyptic file but: New Gods, New Masters.
For 20 years, Revocation has pushed the boundaries of utmost metallic, mixing technical precision with fearless songwriting. On New Gods, New Masters — their fifth launch for Metallic Blade and ninth full-length general — the quartet delivers 9 blistering tracks of musical ferocity and lyrical gravity. Produced by frontman Dave Davidson and blended/mastered by Jens Bogren (The Haunted, Spiritbox), the album explores the chilling intersection of know-how, synthetic intelligence, and humanity’s unsure future.
“I have been very fascinated with the event of Synthetic Intelligence, and I am deeply involved the place this might lead humanity,” says Davidson. “Whether or not it is the sluggish march in the direction of a technological dystopia or the all-out annihilation of our species.”
The tracklist boasts a powerful lineup of collaborations. Jonny Davy (Job for a Cowboy) lends inhuman vocals to the sci-fi horror-inspired “Cronenberged,” whereas Travis Ryan (Cattle Decapitation) amplifies the chaos on “Confines of Infinity.” Legendary Luc Lemay (Gorguts) closes the file with a brutal, emotional activate “Buried Epoch,” and acclaimed jazz guitarist Gilad Hekselman supplies a mesmerizing outro solo on “The All Seeing.”
Longtime followers will acknowledge Revocation’s trademark mixture of precision riffing and conceptual depth, however New Gods, New Masters can also be marked by a renewed vitality due to newer members Harry Lannon (rhythm guitar, backing vocals since 2023) and Alex Weber (bass), alongside drum powerhouse Ash Pearson.
As Davidson explains, the album title displays humanity’s ongoing seek for one thing to worship. “It appears as if that want is encoded in our DNA,” he says. “As science and our understanding of the universe improve, the religions of the outdated gods begin to develop into out of date. Nonetheless, I consider we have changed our outdated gods with new ones, worshipping know-how and making a cult-like idolatry of innovators.”
Marking their 20th anniversary, Revocation continues to evolve whereas staying true to their uncompromising imaginative and prescient. From their 2008 debut Empire of the Obscene to 2022’s Netherheaven – hailed as their “darkest, heaviest” work thus far – the band has toured over 25 international locations and earned a fame as considered one of excessive metallic’s most technically masterful acts.
The hanging album art work by Paolo Girardi encapsulates the file’s themes with a surreal imaginative and prescient of a “new god” born of tooth and wires, plagued by callbacks to Revocation‘s earliest days.
Enter your info under to get a each day replace with all of our headlines and obtain The Orchard Metallic e-newsletter.
