From the wilds of Brazil to the deserts of Arizona, Max Cavalera has by no means been one to let his hearth burn out. Now, with Chama — the thirteenth album from his long-running tribe, Soulfly — he is proving that 25 years on, his imaginative and prescient is sharper, heavier, and extra very important than ever. Out October 24 via Nuclear Blast, Chama is a document that refuses to develop previous gracefully; as an alternative, it units all the panorama ablaze.
“Chama is the Brazilian phrase for flame. It additionally means a ‘calling,'” Cavalera explains. The symbolism feels apt: the album harks again to the tribal heaviness and religious ferocity that made Soulfly a family title in excessive steel, whereas nonetheless carrying a recent chunk, sculpted partly by producer Arthur Rizk (Energy Journey, Code Orange) and drummer-turned-co-producer Zyon Cavalera.
The result’s a blistering fusion of rhythmic groove and metallic brutality that seems like basic Soulfly dragged into 2025 with fists swinging.
The opening shot of this new chapter comes with “Storm The Gates,” a observe Cavalera describes as “a battle cry towards management and greed.” It is primal, relentless and armed with a lyric video courtesy of underground visionary Costin Chioreanu. The only seems like each a throwback and a rebirth: a feral rallying cry rooted in ancestral energy, but sharpened with trendy rage.
Chama additionally highlights Soulfly as extra than simply Max‘s band — it is a household legacy. Zyon not solely kilos the drums but additionally steps behind the console, leaving his fingerprints everywhere in the document’s sonic panorama.
Max‘s son Igor Amadeus Cavalera (Go Forward & Die, Therapeutic Magic) holds down bass duties, whereas longtime guitarist Mike De Leon delivers sharp-edged riffing. Even Worry Manufacturing facility‘s Dino Cazares reveals up for a visitor spot, solidifying the album’s credentials.
Zyon displays: “With every Soulfly document I’ve performed on, I can really feel my evolution occurring in actual time. This one was no completely different — I acquired to push the band into new locations. It was a blast.”
Recorded at Mesa’s Platinum Underground Studio, with art work by Carletta Parrish, Chama is being touted as a religious and musical homecoming. Followers of early information like Primitive and Prophecy will discover a lot to like right here, although it is filtered via a long time of expertise, experimentation, and survival.
Max Cavalera, unsurprisingly, sums it up greatest: “This document is the sound of Soulfly‘s hearth. I can’t wait to play these songs stay for the Tribe!”
Enter your info beneath to get a day by day replace with all of our headlines and obtain The Orchard Steel e-newsletter.
