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    Home»Classical Music»THE SCOOP | Report From The Van Cliburn International Piano Competition: Repertoire
    Classical Music

    THE SCOOP | Report From The Van Cliburn International Piano Competition: Repertoire

    Dance-On-AirBy Dance-On-AirJune 4, 2025No Comments6 Mins Read
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    Finalists from the Van Cliburn Worldwide Piano Competitors (Picture courtesy of the Van Cliburn Worldwide Piano Competitors)

    This isn’t your grandparents’ Van Cliburn Worldwide Piano Competitors.

    There was a day when the ultimate spherical of essentially the most well-known musical scrimmage of the Americas, held in Fort Value, Texas, was fairly near a looped sequence of the Second and Third Piano Concertos of Rachmaninoff and Prokofiev, and the inevitable First Piano Concerto of Tchaikovsky.

    Now the web is solid broad. The six contenders unveiled Monday will play 10 totally different concertos within the Bass Efficiency Corridor with Marin Alsop and the Fort Value Symphony Orchestra. Which is to say there are solely two repetitions — of Beethoven’s matchlessly poetic Piano Concerto No. 4, by 26-year-old Evren Ozel and his fellow American, 22-year-old Angel Stanislav Wang; and of Prokofiev’s burly Second Concerto, by the 26-year-old Russian, Philipp Lynov, and Carter Johnson, 28, a local of Vancouver Island and the lone Canadian within the working.

    Not that the works heard in 4 classes beginning Tuesday and ending Saturday may very well be referred to as unfamiliar. Lynov and Johnson will provide, respectively, Liszt’s Piano Concerto No. 2 and Ravel’s Piano Concerto for the Left Hand. As for these beloved barnburners, Tchaikovsky 1 and Rachmaninoff 3 — the concertos commandeered by Van Cliburn himself in his celebrated victory in Moscow’s Tchaikovsky Competitors in 1958 — they are going to be given by Ozel (Tchaikovsky) and Wang (Rachmaninoff).

    Aristo Sham of China is first up Tuesday evening with Mendelssohn’s Piano Concerto No. 1 in G Minor, a prolix work that’s heard much less usually than it was. On Friday this 29-year-old provides one other German rating of the nineteenth century, Brahms’s four-movement Piano Concerto No. 2. (It ought to in all probability be clarified at this level that every finalist performs two concertos, on totally different days, chosen from separate lists, a system designed to encourage selection.)

    Vitaly Starikov, at 30 the oldest competitor to make the finals, has chosen the difficult pairing of Bartók’s tough-as-nails Second Piano Concerto and Schumann’s probing however elusive essay within the type, which was memorably described to me in 2008 by a contest choose on the Concours de musique worldwide de Montréal as “a demise lure.” Starikov lists Russia and Israel because the nations to which he’s hooked up.

    Canadian Carter Johnson at the Van Cliburn International Piano Competition (Photo courtesy of the Van Cliburn International Piano Competition)
    Canadian Carter Johnson on the Van Cliburn Worldwide Piano Competitors (Picture courtesy of the Van Cliburn Worldwide Piano Competitors)

    Rivals

    Sticklers for quotas will notice that there aren’t any girls among the many six finalists. Chaeyoung Park, 27, certainly one of two feminine semifinalists to not make the reduce, was additionally the one South Korean semifinalist — a low tally given the worldwide dominance of this nation in competitions, not least the Cliburn, which awarded gold to Yekwon Sunwoo in 2017 and Yunchan Lim in 2022.

    Conspiracy theories are devilishly onerous to maintain in Fort Value. The judges sit in monastic seclusion and don’t seek advice from their colleagues.

    “No dialogue, no deliberation,” mentioned Jacques Marquis, Cliburn chief government since 2013, and a Canadian, in a Fb submit. “A sure/no/possibly course of. Easy and environment friendly.

    “As I mentioned many instances, I are not looking for a mix, I would like 9 distinct opinions from 9 live performance pianists.”

    Nonetheless, it’s fascinating to take a position on how the British-born jury chair Paul Lewis, a pianist famous for his Schubert, feels concerning the cascades of double octaves that inevitably accompany a Cliburn contestant to the end line. One can think about a specific amount of unstated convergence along with his fellow juror Until Fellner, an Austrian who’s, like Lewis, a former scholar of Alfred Brendel.

    Regardless of the rigour of the Cliburn course of, there was some on-line unhappiness over the early elimination of Magdalene Ho, a Malaysian pianist of American delivery and British upbringing. “She confirmed extra character than all the remainder put collectively,” commented the British critic Norman Lebrecht on his broadly learn web site Slipped Disc.

    An fascinating subset of the Ho controversy was a requirement by her fan base to put in her within the quarterfinal spot bizarrely deserted by Xiaofu Ju, a 25-year-old Chinese language pianist who walked on stage, sat earlier than the keyboard, stared at his arms, stood once more, bowed and left the stage. The information dispatch from the Cliburn cited “medical causes” for his withdrawal.

    The Closing Stretch

    The seek for one thing to be grumpy about is inevitably subsumed within the remaining days by the sheer pleasure of the house stretch. For a lot of listeners, nationwide or ethnic favouritism in all probability performs a task. What Canadian in an age of resurgent nationalism can fail to cheer on Johnson, even when (as a resident of Connecticut) he lists a twin affiliation with the USA and Canada?

    With a artistic method to repertoire (his solo rounds included sonatas by Muzio Clementi and Paul Hindemith) and a style for assertive ornamentation within the obligatory Mozart Concerto (in his case, No. 22 in E flat Okay. 482), this pianist has pretty much as good an opportunity as any to medal.

    I’ve heard one thing a couple of hockey sport on Wednesday evening. Need to miss it. Carter Johnson is taking part in Prokofiev.

    • The Cliburn finals can be found as a livestream [HERE]. Prior rounds might be seen on YouTube.

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    Arthur Kaptainis

    Arthur Kaptainis was classical music critic of the Montreal Gazette from 1986 to 2022 and wrote for the Nationwide Submit from 2010 to 2016. His articles seem in Classical Voice North America and Gramophone in addition to Ludwig Van. Arthur holds an MA in musicology from the College of Toronto. He’s president of the Music Critics Affiliation of North America.

    Arthur Kaptainis
    Newest posts by Arthur Kaptainis (see all)



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